Full Moon Pictures
Omnisphere is here
Omnisphere comes with a vast core library of over 40 GB
with thousands of sounds that can be tweaked, combined
and manipulated in any way you want. The sounds are not
just your average workstation core library sounds,
instead some of them are entering spectacular new
territories like f. e. the burning piano, which is - as
you might have guessed - the sound of a piano being set
on fire (which is exactly what those weirdos at
Spectrasonics did to achive that special sound). Also
the integrated arpeggiator is just brilliant and very
easy to handle, the FX-Rack contains everyt bloody
effect section you ever wanted and sound browser is
simply amazing, because it allows you to actually find
the sounds that you’re looking for, which is something
that can’t be said for many similar virtual
instruments.
You see, I’m really excited about Omnisphere, and so I
can only recommend it to every songwriter, producer or
musician around. Check out Spectrasonics’ website for
more information here.
By the way: G-Force have released a new version of
their famous M-Tron, which is a very great and
useful virtual instrument, too. It is my favourite
secret weapon“ for those moments, when most digital
sounds are sounding a bit too clean: those old
Mellotron soundbanks add exactly the kind of vintage
dirt that will make your songs breathe!
Next thing I’m looking forward too is Camel Audio’s new
synthesizer Alchemy: it’s not released yet,
but the teasers on their website do sound amazing.

New Tracks

Back from our Honeymoon
As soon as we’ve returned from our honeymoon I’ve started working on some new tracks: one of them is called ˮCrossing the Line“ and can be found on this website’s Music-section - hope you’ll like it (even if its lyrics don’t deal with the subject of marriage at all).

The Handfasting
I’ve also started
digitalizing all my old tapes, which means that heaps
of previously unreleased material still has to make its
transition from ye good ole analogue tape to the
digital shelves of my Mac. As soon as everything’s
indexed, transformed into mp3 (Sorry for that, Harry: I
know you would have preferred Ogg Vorbis for some
strange reasons, although I think you just love to have
audio data with a file extension that bears resemblance
to the name of a mad Klingon high priest!) and
thoroughly inspected in terms of aural tolerance, I’ll
be putting a reasonable amount of Antichrisis’ early
stuff on this website.
In the meantime I’ve received some very nice and
interesting emails from Arseny from Moscow and Robert
Negut from Bucharest which I haven’t replied to yet:
Just a little more patience, guys - as soon as Ayuma
and me have returned from our honeymoon, I’ll be
returning to you, too.
I’ve also had a few requests for my current top ten
which accidently turned into a bloated top sixteen -
but that’s personal charting for you:
Soko - I’ll Kill Her
The Killers - When You Were Young
Royksopp: What Else Is there?
Silver Jews: Suffering Jukebox
Flooging Molly - Punch Drunk Grinning Soul
Attila the Stockbroker - And I Wont’ Run Away
The Raveonettes: The Christmas Song
Franz Ferdinand - Walk Away
Jens Lekman - Black Cab
Santogold: Say Aha
Midnight Choir - The Train
Bruce Springsteen - Long Walk Home
The Pack: King Of Kings
The Monks: He Went Down To The Sea
The Thermals: An Ear For Baby
The Mountain Goats: Hast Thou Considered The Tetrapod
And one last thing: Next
month we’ll be proceeding with the recording sessions
to 'The Legacy Remains' with Steffi, our new singer, so
this long postponed album will be on its way, too.